Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Outside a movie premiere, enthusiastic fan Peppy Miller literally bumps into the swashbuckling hero of the silent film, George Valentin. The star reacts graciously and Peppy plants a kiss on his cheek as they are surrounded by photographers. The headlines demand: "Who's That Girl?" and Peppy is inspired to audition for a dancing bit-part at the studio. However as Peppy slowly rises through the industry, the introduction of talking-pictures turns Valentin's world upside-down.Written by
George and Peppy briefly meet on a staircase with ornate wrought iron filigree. This staircase is in the central atrium of the Bradbury Building located at 304 South Broadway, Los Angeles, California. Dozens of movies, TV shows, and music videos have been filmed there. Most notably, the interior and exterior were featured prominently in Blade Runner (1982). See more »
The dateline on the "WHO'S THAT GIRL?" edition of Variety reads, "LOS ANGELES, SUNDAY, SEPTEMBER 6, 1927," making it a rare triple blooper. In reality, that particular date fell on a Tuesday, not a Sunday. Additionally, the cost of a real-life Variety from September 7, 1927 was still 20 cents, so the date of September 6 on the prop paper is at odds with its emblazoned 25-cent price. Lastly, the Los Angeles version Daily Variety, with its square focus on the film industry, was not published until 1933 (coincidentally, on September 6). All prior editions had come from New York and were so labeled. See more »
Jean Dujardin deserved his Palme D'or for his captivating and wonderful performance. Where to start...this film is so clever, so beautifully crafted, so mesmerising. The lost art of the silent film is once again brought to life and that era is impressively recreated, whether it be the acting style, the sets, the locations (shot in Hollywood), the shimmering black and white photography. It is obvious to see that the people behind L'artiste respected that era of film making and wanted to recreate the magic with some modern touches ( I won't spoil them) and totally succeeded. I saw this in Cannes at an 8.30 am press screening and was totally entranced. I cannot wait to see it again!
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